What I’ve been reading – No Place Like by Gene Kemp

No Place LikeNo Place Like by Gene Kemp
My rating: 4 of 5 stars

Pete is no more than flotsam bobbing aimlessly on the waves, when he fails his ‘O’ levels/GCSEs and heads off to the local community college. Because that’s what kids in his situation do, and he doesn’t have any better ideas. He’s letting life happen to him. But gradually he begins to get his bearings, identify positive influences and helpful people, make a few friends, get a few ideas about things he might actually like and want to do.

It takes longer for him to spot the malign influences, the folks to avoid. Still longer to understand that not all wrong ‘uns can be harmlessly evaded, and confrontation isn’t always optional.

It’s a pivotal point in adolescent life, but Pete takes those first steps, gets a grip on who he might be or become. All without lasting hurt or mortal wound. But for a light, sweet YA novel, it’s amazing how clear it is that that’s partially his own efforts, and partially the merest luck and chance.

This is really beautifully written, simple and clear, economical, precise and extremely funny. The character of Pete’s dad is especially immortal and hilarious, and there are moments of his character’s contributions to the tale that are as funny as anything in Wodehouse.

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she’d have been garrotted at Trinian’s

(Love those Trinian’s vixens in any incarnation!)

Damn it. I had a terrific idea today – well, I had an idea that would be fun for me, and that amounts to the same thing. I was listening to a local pop radio station, golden oldies – depending on your era. It was one cheesy 90s housey-housey rave trance and techno classic after another, which is always good fun for me. And I thought – with poetry on my mind, after reading one blog post after another about it – O, I know what would be a good idea.

I could write a series of ‘After a line from’ poems! But, instead of taking the first line from another writer’s poem, and building a whole new cathedral of words upon it… I could take the first line (or maybe the standout line from the chorus) of an earworm-worthy 90s dance classic.  Like say ‘Ride On Time’, or ‘You’ve Got The Love’. Or ‘You Might Need Somebody’Shola Ama, baby!

…and then make something completely other out of it.  Something that you wouldn’t catch on a dancefloor.  A quiet meditation on death, or love, or gardening, say.

Yes! It’s a well-worn tradition.  Not my own idea, of course. People have been doing the same thing for years.  And for that matter setting it as homework, making a parlour game of it, producing new creations out of old classics. And – traditionally – that’s what you do, the accepted procedure: to name your derivative poem ‘After a line from xxx by xxxx’. All attribution and credit present and correct – no attempt to filch the prestige of the original idea.

But beyond the signalling of the format, the citing of the original creative spark – I was damn sure that it was a poetic format that had an actual name, dammit.

But what? I had a vague notion that it might be a clerihew. But a quick resorting to search engine services proved me wrong. I’m not overly educated regarding formal poetry structures – O, the power of understatement.  But what little information I did possess proved insufficient. Not a rondel, not a sonnet – bloody hell no – not a villanelle either.

I knew there was an answer, though – and I knew how I knew, too. I’d first come across the phenomenon at ten or eleven years of age – in a boarding school story by Ann Digby.

The Trebizon school stories were moderately popular at the time, although I found them a bit bland. Compared to the traditional exemplars of the genre – Enid Blyton, basically, and perhaps the Chalet School, and of course St. Trinian’s – they were botched, uneasy half-arsed 1980s creations, products of the time. Hardly able to flat-out condemn private education, given that they were trading on its snob appeal – and yet offering half-hearted sops to the red flag, with school scholarships for plucky lower-middle class heroines. (Definitely lower-middle. Not actual proles, darling.) Doubtful about the seductive charms of the aristocracy, even in an era in love with Princess Diana, and gifting the school involved with a cohort of upper-middle bourgeoisie, banker’s brats and doctor’s daughters.

Sign o’ the times, right? Thatcherite union-breaking, miners’ strikes, all that jazz. Not exactly down with the workers, but unable to uninhibitedly embrace the decadent allure of the aristocracy, blatant capitalist privilege and unearned elitism.

Not like these days, eh? Fucking Mumford, and his clueless hairy flippin’ progeny, in fruitless search of a tune in a tin bath.  Tom Hiddlestone, ex-Eton, ex-Dragon School, ex-Cambridge, the scrappy urchin nobly urging us to reach for the stars.  Cheers, Tom.

But I was an uncritical young reader – anything including cornflake packets and the Reader’s Digest, basically – and I swallowed the books down whole. Including one installment of the series, which included a school poetry competition. And what poetry format did our plucky heroine choose, as her competition entry?

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image – Maximilian Ott https://www.flickr.com/photos/maximilianott/ licence https://creativecommons.org/publicdomain/mark/1.0/

Yep. She picked a line by – ooh, I want to say Wordsworth, but it was probably someone more obscure – a first line. And she wrote herself an ‘After A Line From…’ poem. Except, I’m pretty sure that in the book, she knew what the format was actually called, and – admirably – used the correct term. Well, admirably for a twelve or thirteen year old character. Considering that I still can’t locate the appropriate word, myself.

Not just that, we’re not done.  In the book, the format itself was key to the plot – because it wasn’t all over with just with the climax of OPH writing a winning comp entry. No.

The silly little heroine of the fourth form, and her slightly non-U accent, first wrote her derivative work while wandering lonely as a cloud along the beach, or a cliff or somesuch.

Then, the little div managed to let it get blown away by the wind. O’er the cliff and far away, and could she remember a word of it once it was gone out of her hand? Could she heck as like. Oh dear, oh hell.

So, what’s an earnest scholarship private boarding school girl to do, when she’s lost the work of genius that the inspiration of the moment has brought her?  And the competition deadline is looming? Oh, bloody hell. Probably just bodge out an inferior substitute.  Because when the Muse isn’t calling, the poxy bitch can’t be seduced, and you just gotta pound out the words and fulfill the requirements anyhow.

Well, too bad, she doesn’t win the competition. Except, she does get to read the winning entry. And get this: it’s her own poem. Yep, the first one – the one she let blow away over the cliff.

Which was apparently caught and retrieved by the Assistant Head Girl of the whole damn school. The moral leader and ethical exemplar of the entire damn shooting match. Which the dodgy bint has… uh-oh… claimed, and submitted as her own work.  Not a citation, not a reference, not a credit to be seen in the whole shebang, kidses, nuttin’.  Nuttin’!  No acknowledgment of either the original poet, or our transformative-workin’ Plucky Heroine, to be seen!

Oh, Plucky Heroine! What are you to do, in this tight spot?

Well, mostly, she spends the next chapter or so dithering about it. Oh, her work has been stolen! Oh, but it’s the assistant Head Girl! Who would believe her? How can she prove it? Will allegations result in dire consequences?

Eventually, after enough agonizing to justify a murder or a little insider trading, OPH does make a formal complaint. And both lassies get hauled in to see the Headmistress. (Who is as sapphically lithe and foxy as you might expect the headmistress of a fictional girls’ boarding school to be. Well, that’s how I choose to remember her, at any rate.)

It’s not smooth sailing.  Prove it, the Headmistress basically says. And our divvy – hang on, Our Plucky Heroine – who has not thought this through – has no comeback to that. Until! The Assistant Head Girl – or, as we shall know her, Thieving Little Cow – is making good her escape, smirking smugly and heading for the study door. That’s when the Headmistress casually says, “By the way, Robin -”

…assistant Head Girls are always called Robin, or Roberta at a pinch…

“I’m planning on including the works of NAME OF HIGHLY OBSCURE POET in next term’s English seminars. What’s your opinion on that?”

Cue blank look from Evil Roberta, The Thieving Little Cow. Who has never blimmin’ heard of HIGHLY OBSCURE POET. Despite having entered an ‘After A Line From…’ poem in the prestigious school literary competition, taking as its first line one filched from that very HIGHLY OBSCURE POET himself.  Not that it was flagged up as a derivative work, since OPH had just been scratching out a rough draft on the leaf of paper that found its way into TLC’s eager hot sweaty little hands.  Roberta didn’t have a clue, that not one but two writers had contributed to the work, which she then laid claim to and appended her own name to.

Pwned is, I believe, what the kids haven’t been saying for about five years now.

Turns out, Sexy Sapphic Headmistress (in my head) had had her suspicions about TLC – given the lack of the usual format of title attribution for these poems, given her past character.  But without hard evidence to confirm her suspicions, she’d been powerless to validate and support OP(AC)H.

What? Oh. Our Plucky (Although Common) Heroine.  Obvs. Who was extremely familiar with the works of the obscure poet, and could demonstrate the fact, cosmopolitan, sophisticated and myopic as any other book-worm. And thereby proved her prior claim to the string of words arranged into music and meter on the page. Thievery thwarted!

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image – Smithsonian Institution https://www.flickr.com/photos/smithsonian/ licence https://www.flickr.com/commons/usage/

Anyhow, there ya go. Protected by poetry, redeemed by riffs, legitimized by language! This is the power of words, folks! Never doubt what the right or the wrong word can do – moving mountains, freezing hearts, changing destinies with the flick of a page of the thesaurus.

Never doubt it.

And I still have no clue what the poetry form in question is really and legitimately called. Must I really go the full hog and start re-reading the anodyne Trebizon saga, book after book, to find out? O dear reader, have you no clue on the issue?

In any case, my plan goes forward – onwards, ever onwards!  With or without the format name of the verse I’ll be spewing forth shortly. Expect ‘After A Line From ‘Last Night A DJ Saved My Life’ any day now. Perhaps modified, to ‘Last Night A Poet Saved My Rep’.  Or possibly ‘After A Line From ‘Bump – I’m Rushing’‘.

The Jetslags’ Rushing Roulette remix, obviously.

 

‘The Little Grey Men’ by B.B. – Goodreads book review

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The Little Grey MenThe Little Grey Men by B.B.

My rating: 4 of 5 stars

A very gentle, sedate fantasy adventure, with just a few moments of high excitement. I give it four stars for the quality of the writing, although I usually like fantasy novels with more of the fantasy equivalent of car chases, explosions and alien invasions. The characterization is good enough that one does suffer along with the gnomes, lots of angst hoping for their safe journey and eventual reunion. If you invest the effort into really getting into the book then I think it pays off, although it might take a bit of doing.

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Image – Bernard Spragg. NZ on Flickr, public domain.

Dinky Hocker Shoots Smack by M.E. Kerr – book review

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Dinky Hocker Shoots Smack!Dinky Hocker Shoots Smack! by M.E. Kerr

My rating: 4 of 5 stars

Great book. I adore Dinky, for declining to be brainwashed and cooperative like a good little robot. And also for her name. And Natalia, for… well, it’s hard to say. She’s certainly a sweetie, but a bit too willing to collude in her own oppression. It’s difficult not to have a certain affection for her, though. Tucker OTOH is just annoying, and John too.

I can’t believe Kerr is the same author who wrote When Hitler Stole Pink Rabbit, though. Wow.*
*Well, she isn’t, that’s all. On checking, that was all just in my head, which explains a lot! It did seem an odd conjunction of styles and subjects.

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‘Crazy Vanilla’ by Barbara Wersba – Book Review

Crazy VanillaCrazy Vanilla by Barbara Wersba

My rating: 3 of 5 stars

I expected a little more from this than I actually got – it felt as if at any moment a profound epiphany might appear, but that promise was never quite made good. Still, I did enjoy it. The best thing was reading about Tyler’s love of nature and animals, which felt deeply real. His opinions and reading about the anthropomorphization of animals in human culture was especially interesting – more so than his personal relationships, really. I found his issues with his older brother’s sexuality a bit tacked-on and not really credible. Still a worthwhile read though.

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Review: Little Big Books by Robert Klanten

Little Big Books: Illustrations for Children's Picture BooksLittle Big Books: Illustrations for Children’s Picture Books by Robert Klanten

My rating: 4 of 5 stars

This book was delightful, and the chance to experience the artwork of so many wonderful artists was a joy. I was slightly disappointed that only a small number of the artists featured were actually interviewed for the book, as I found the interviews to be as much of a highlight as the illustrations. Kitty Crowther’s interview especially was wonderful, funny and enlightening, in addition to her beautiful pictures. I did mark the book down slightly from four to five for this reason. Although if all the artists had been interviewed, it would of course have been a much longer and more expensive book!

However it’s a beautiful book and wonderfully presented, and I would still recommend it to anyone interested in art and book illustration.

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